Visualizing Law in the Digital Age – Speakers
- Amy Adler, Emily Kempin Professor of Law, New York University (author of “Performance Anxiety: Medusa, Sex, and the First Amendment”)
- Christian Biet, Professeur d’Études Théâtrales, Université de Paris X (author of Droit et litérature sousl’ancien régime)
- Christian Delage, Université de Paris-VIII and the École des Hautes Études en Sciences Sociales (director of Nuremberg: The Nazis Facing Their Crime; author of L’Historien et le film [Gallimard, 2004])
- James Elkins, E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago (author of Visual Literacy and Visual Studies)
- Peter Goodrich, Professor of Law, Cardozo Law School (author of Oedipus Lex and Law in the Courts of Love)
- Desmond Manderson, Canada Research Chair in Law and Discourse, McGill University (author of Proximity, Levinas, and the Soul of Law)
- W.J.T. Mitchell, Gaylord Donnelley Distinguished Service Professor of English and Art History, University of Chicago (author of Picture Theory andThe Reconfigured Eye)
- Nathan Moore, Birkbeck School of Law (author of “Film and Law Via Wim Wenders and Others”)
- Francis J. Mootz III, William S. Boyd Professor of Law, University of Nevada (author of Law, Hermeneutics, and Rhetoric)
- Austin Sarat, William Nelson Cromwell Professor of Jurisprudence & Political Science, Amherst College (The Blackwell Companion to Law and the Humanities)
- Richard Sherwin, Professor of Law, New York Law School (author of Visualizing Law in the Age of the Digital Baroque and When Law Goes Pop)
- Jessica Silbey, Professor of Law, Suffolk University Law School (author of Film and Memory in Law, Culture & the Humanities)
- Laurent de Sutter, Senior Researcher, Law, Sciences, Technology & Society, Faculty of Law, Vrije Universiteit Brussels
- Alison Young, Professor, University of Melbourne (author of Judging the Image: Art, Value, Law)
